23 March – 27 April, 2019
Opening reception: 18.00-20.00 on 23 Mar.
Closed on Sun., Mon., and public holidays

Among the works of Tokuoka Shinsen (1896-1972) is Camellia (1922) (collection of the National Museum of Modern Art, Tokyo). At 102.1 by 86.8 cm, it is not a very large work, but there is a somehow eerie and unreal aspect to the depiction of a camellia tree filling the pictorial space and spilling over the edges, its blooming flowers and lush foliage seemingly floating in a void.

A similar quality can be seen in one of Hasegawa Shigeru’s new works scheduled
to be shown in this exhibition, depicting something like a teapot surrounded by
cucumbers. The teapot is both like and not like a teapot (the same can be said of
the cucumbers), and painted above them in a pure shade of yellow appear to be
some sort of citrus fruits (although they may not be). The gray area at the edge
of the picture resembles both draped fabric and a line of hills.

As suggested by Hasegawa’s titling his exhibition PAINTING, the painting described
above is nothing besides just that, and to demand that it be something more than
that may be making grossly unjustified assumptions.

Nonetheless, there is a feeling of both exhilaration and discomfort like biting on
sand in one’s food, a hazy, cryptic quality that makes the viewer seek some small
clue as to what he or she is seeing and why the artist chose to paint it. The untitled
works withhold the information we seek, and we go back to the painting and
examine it again for clues, with a feeling like going around in circles. It is as if our
attitude toward viewing Hasegawa’s painting is being tested, and we cannot help
but tense up in response. What we seek to obtain from Hasegawa’s painting is
something that can only come from within oneself, and viewing it brings us face to
face with our own depth of knowledge and receptivity.

What does Hasegawa Shigeru paint? Why does Hasegawa Shigeru paint?
How does Hasegawa, who was long based in Europe, interpret PAINTING? He has
evidently given profound and prolonged thought to what constitutes his own
PAINTING, the result of which is a body of work conveying obsession, bordering on
the mad, with asserting its own unique identity.

This solo exhibition features six new and recent works by Hasegawa as well as older
work, and is his first in nine years after a lengthy period of silence. We sincerely hope
you will visit the gallery while the exhibition is on view.


upcomingpast exhibitions



Tadasuke IWANAGA, Shigeru HASEGAWA participates the group show

Tadasuke IWANAGA, Shigeru HASEGAWA participates the group show of “beyond the reasons”
Period: 8th – 31st Mar. 2019
Venue: Komagome SOKO
Admission Free

more information → beyond the reasons

Shinichiro KANO participates the group show

Shinichiro KANO participates the group show of “frozen window: life and art”.
Period: 19 Feb. – 10 Mar. 2019
Admission Free

more information (in Japanese only) → cage gallery

Shinichiro KANO participates “POKER FACE/ THREE/ AFTER IMAGE”

Shinichiro KANO participates the group show of “POKER FACE/ THREE/ AFTER IMAGE” at ART LAB AICHI in Nagoya.
Period: 1 – 30 Sep. 2018
Admission Free

more information→ART LAB AICHI

Makiko MASUTANI “light relief”

Makiko MASUTANI’s solo show “light relief” at ANA Intercontinental Tokyo.
Period: 14 Sep. – 3 Dec. 2017
Venue: ANA Intercontinental Tokyo
Organized by Art Platform Tokyo
Admission Free

more information→ANA Intercontinental Tokyo


参考画像 のコピー Chihiro MORI’s solo show “omoide in my head” at Toyota Municipal Museum of Art.
Period: 15 Jul. – 3 Sep. 2017
Opening hours: 10.00-17.30
Venue: Toyota Municipal Museum of Art
Closed: Mondays (except national holidays)
Admission Fee: JPY300- (adult), JPY200- (High School/University students), Free (Elementary/Junior high students)

more information→Chihiro MORI “OMOIDE IN MY HEAD”






Opened on 13th February, 2016

1F, 3-18-8 Shirakawa, Koto, Tokyo 135-0021


Tuesday – Saturday 12.00 – 19.00
Closed on Sunday, Monday, Public holidays


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